Otis N' Dwayne is a feature film twelve years in the making I pretty much gave up on finishing it a couple years ago. It was languishing on the bottom of the ocean and haunting me in the back of my mind.
Most of the filming was done and I couldn't make sense of the edit. Ironic since I edit film for a living. As a last ditch effort I put a listing on craigslist offering a $1000 to help me finish the edit.
I got a ton of responses mostly from totally unqualified individuals and then this one....
Hey there,
My name is Kelsey Hoover. I'm a working editor, or editress, as I prefer to be called... I watched your trailer and think you are a madman, and possibly a genius. I'd love to work on the film.
I have my own Final Cut at home, which suits me because I always work naked. I hope that's okay with you, and that you're comfortable with working around a nude editress. Can't say how long I've been a nuditress, really, just that ever since I quit working at Trailer Park and got my own setup at home, I haven't been able to bring myself to put on any clothes. I mean, why bother if it's hot, and you're working alone at home, right? Now I'm at the point where I only work with directors and clients who are comfortable with coming to my house and having me be nude while I work.
You strike me as someone who'd understand. So you should give me a call. 310-592-26xx. If my assistant Ben answers, just tell him who you are and leave a message. And be sure to tell him whether or not you'd be comfortable with nudity. That will determine whether or not I return your call. Sorry, but we do get a few pervs.
I can't wait to hear from you! How exciting!
Kelsey
... Sent by my co-worker Danny as a practical joke.
June 2008 I'm in New York celebrating my birthday with my wife when Curtis (my BFF and screenwriter of Otis N' Dwayne) takes me to a BBQ at his musician friends Anne and Tosso's where we drink beer and they introduce me to something called the "Volcano" - Tosso and I get to talking and turns out he's seen a rough cut of the movie and liked what he saw. I said...
"Hey why don't you do the soundtrack blah blah blah..."
And the rain was pouring down in buckets - it was my first time in Brooklyn, Anne and Tosso have a lovely garden and make a nice BBQ. Part of the building was beginning to flood. I hitched a ride back to the city with two guys named Brad and that was that...
Four months later and I'm back in LA actually found someone on craigslist to help me edit the film. Jose Manuel Jimenez from Madrid, a Spanish feature editor (
here's his IMDB page), who truly responded to the trailer, the screenplay and the rough cut and offered to do it for free! What the hell, why not?
My cell rings and it's Anne and Tosso they have some songs for the film. Amazing. The songs are great. I can't believe it - I'd totally forgotten about our conversation that rainy day in June.
Jose's cut is great. He trimmed twenty to thirty minutes of fat from the film, restructured some scenes and broke it up into chapters. Suddenly it's playing and flowing with an energy and coherence that it never had before and WE HAVE ORIGINAL MUSIC.
I can't believe it. We finished the movie. Have screened it to private audiences on the big screen twice now and began applying to film festivals.
Otis N' Dwayne will not die.
I thank my lucky stars for Anne, Tosso, Jose and Curtis. From Brooklyn, to Madrid, to LA we made it happen with email, external hard drives, and file sharing on the internet. I don't even think there was the internet when we began this project. I've never even met or spoken to Jose in person. The miracle of modern technology. The miracle of Otis N' Dwayne...
Sincerely,
Haunted No More
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